11.68
Condition reports and provenance available upon request
About This Work
Sunday B. Morning’s *11.68* distils the visual language of post-war Pop into a crisp, concept-driven object, where seriality and surface become the subject. Employing meticulous screenprinting and a deliberately polished finish, the work mobilises repetition, chromatic punch, and graphic immediacy to test the boundaries between homage, authorship, and reproduction. The title reads like a datum—suggesting measurement, editioning, or an archival index—reinforcing the work’s cool, systems-based logic. Situated within the lineage of Warhol-adjacent production while maintaining its own contemporary clarity, *11.68* speaks to today’s image economy: endlessly circulated, recontextualised, and desired. A compelling example of Pop’s enduring cultural relevance in the era of mechanical and digital duplication.
About the Artist
Sunday B. Morning is a Belgian publishing imprint known for producing silkscreen prints after Andy Warhol's iconic works — Marilyn, Flowers, Campbell's Soup Cans and others — using original negatives from Warhol's Factory. Warhol initially collaborated with two anonymous Belgian associates in the 1...
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Contemporary Art • Hampstead, London
Established 1976 • 50 years of excellence in contemporary art • Professional authentication and provenance research