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Sunday B. Morning’s *11.29 Marilyn Monroe* revisits one of the most enduring icons of postwar visual culture through the language of Pop’s most recognisable image-making. Executed with crisp, screenprinted precision and high-key colour, the work foregrounds the mechanics of repetition and mass reproduction—techniques that both elevate and destabilise celebrity. Marilyn’s features appear simultaneously glamorous and uncanny: flat fields of colour sharpen the contours of her face while subtle registration shifts and graphic contrasts introduce a charged, almost cinematic vibration. More than a portrait, the image functions as a meditation on fame as commodity, where identity is circulated, consumed, and continually reauthored. Significant within the Sunday B. Morning editions, the work reflects a critical moment in the afterlife of Pop, examining authenticity, authorship, and the enduring power of the mediated image.
Sunday B. Morning is a Belgian publishing imprint known for producing silkscreen prints after Andy Warhol's iconic works — Marilyn, Flowers, Campbell's Soup Cans and others — using original negatives from Warhol's Factory. Warhol initially collaborated with two anonymous Belgian associates in the 1...
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