11.66
Condition reports and provenance available upon request
About This Work
Sunday B. Morning’s **“11.66”** distils Pop’s gleaming surface into a cool, conceptually charged image-object. Working with the artist’s signature screenprint methodology—crisp registration, flat chroma, and a deliberately industrial finish—the work treats repetition and seriality as both technique and critique, echoing the language of mass production while insisting on the aura of the handmade decision. The title reads like a time-stamp or measurement, nudging the viewer toward systems: value, labour, and the quantification of desire. At once accessible and rigorously self-aware, **“11.66”** sits at the intersection of contemporary printmaking and cultural commentary, engaging debates around authorship, appropriation, and the enduring afterlife of Warholian imagery in today’s attention economy.
About the Artist
Sunday B. Morning is a Belgian publishing imprint known for producing silkscreen prints after Andy Warhol's iconic works — Marilyn, Flowers, Campbell's Soup Cans and others — using original negatives from Warhol's Factory. Warhol initially collaborated with two anonymous Belgian associates in the 1...
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Contemporary Art • Hampstead, London
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