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Sunday B. Morning’s *11.65* distils the artist’s celebrated re-engagement with Pop into a crisp meditation on reproduction, authorship, and desire. Realised through meticulous screenprint technique, the work embraces the hard-edged clarity of commercial colour while allowing subtle registration shifts and surface nuance to signal the hand within the multiple. Its title reads like a timestamp or measurement, underscoring the cool, data-like language through which contemporary culture consumes images. Situated within the legacy of post-war American Pop and its afterlives, *11.65* operates as both homage and critique—testing how icons are circulated, owned, and reactivated in the present. The result is a highly collectible contemporary print with sharp cultural resonance.
Sunday B. Morning is a Belgian publishing imprint known for producing silkscreen prints after Andy Warhol's iconic works — Marilyn, Flowers, Campbell's Soup Cans and others — using original negatives from Warhol's Factory. Warhol initially collaborated with two anonymous Belgian associates in the 1...
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