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In *Flower 11.71*, Sunday B. Morning refines the language of Pop into a crisp, contemporary edition that foregrounds reproduction as both method and meaning. Drawing from the iconic floral motif associated with Warhol’s postwar visual lexicon, the artist employs screenprint aesthetics—flat colour fields, sharp contours, and deliberate surface uniformity—to examine how images circulate, accrue value, and shift authorship in the age of mass media. The work’s buoyant palette and graphic immediacy retain the optimism of 1960s consumer culture while subtly reframing it through today’s lens of branding and digital dissemination. At once homage and critique, *Flower 11.71* speaks to ongoing debates around originality, appropriation, and the cultural afterlife of modernist icons.
Sunday B. Morning is a Belgian publishing imprint known for producing silkscreen prints after Andy Warhol's iconic works — Marilyn, Flowers, Campbell's Soup Cans and others — using original negatives from Warhol's Factory. Warhol initially collaborated with two anonymous Belgian associates in the 1...
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