Mammy FS II.262
Condition reports and provenance available upon request
About This Work
Andy Warhol’s *Mammy FS II.262* forms part of his late-screenprint practice, where mass-media imagery is sharpened into a cool, confrontational icon. Executed through photographic silkscreen over flat fields of colour, the work exemplifies Warhol’s deliberate misregistration, inky abrasion, and high-contrast modelling—effects that both amplify allure and expose the mechanics of reproduction. By isolating the “Mammy” figure, Warhol reframes a loaded commercial stereotype, prompting reflection on how American visual culture packages race, labour, and nostalgia into consumable symbols. At once seductive and unsettling, the print’s pop palette and serial logic underscore Warhol’s enduring critique of celebrity, advertising, and the circulation of cultural myths within postwar consumer society.
About the Artist
Andrew "Andy" Warhol ( ; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American artist and filmmaker. Widely regarded as the most important artist of the second half of the 20th century, Warhol's work spanned various media, including painting, filmmaking, photography, publishin...
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Contemporary Art • Hampstead, London
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