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Damien Hirst’s *Psalm – Miserere mei Deus* draws on the cadences of Catholic liturgy to examine contemporary faith, doubt, and the commodification of belief. Part of the artist’s ongoing engagement with sacred iconography and mass-produced visual systems, the work is characterised by a cool, clinical precision—an approach that echoes Hirst’s medicine cabinets and spot paintings while shifting the register toward devotional text and ritual. The Latin plea “have mercy on me, O God” becomes both confession and conceptual device, inviting viewers to consider how meaning is constructed through repetition, authority, and display. At once austere and provocative, the piece situates Hirst within a lineage from memento mori to postmodern appropriation, resonating powerfully in a secular age.
Damien Hirst was born in 1965 in Bristol and grew up in Leeds. In 1984 he moved to London, where he worked in construction before studying for a BA in Fine Art at Goldsmiths college from 1986 to 1989. He was awarded the Turner Prize in 1995. Since the late 1980’s, Hirst has used a varied practise of...
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