Diaz Alama CANTO XIV. The Blasphemers So
Condition reports and provenance available upon request
About This Work
In **“CANTO XIV. The Blasphemers So,”** Jordi Díaz-Alama channels a contemporary reading of Dante’s *Inferno*, translating literary allegory into a psychologically charged, figurative painting. Working with assertive drawing and layered, gestural brushwork, the artist builds a dense chromatic field where flesh, shadow, and atmosphere collide—evoking heat, punishment, and moral tension without slipping into illustration. Díaz-Alama’s command of oil technique—scraped passages, luminous glazing, and abrupt tonal shifts—creates a volatile surface that feels simultaneously classical and urgent. The work’s cultural relevance lies in its reactivation of canonical European narrative to address present-day anxieties around transgression, belief, and power, positioning the body as both subject and battleground within contemporary figurative art.
About the Artist
Jordi Diaz Alamà was born in Granollers in 1986, he graduated from the Fine Arts from the University of Barcelona. He also trained at the classical art schools, such as the Florence Academy of Art (Florence) where he learned the techniques used by the great masters of 19th-century painting. Jordi ...
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Contemporary Art • Hampstead, London
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