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Jordi Diaz Alama’s *Diaz Alama Portraits of Souls I–XVI 1* distils the artist’s figurative practice into a psychologically charged study of presence. Working with a painterly, gestural vocabulary, Diaz Alama builds the face through layered passages of pigment—alternating opacity and abrasion to produce a surface that feels both constructed and vulnerable. The composition resists anecdote in favour of interiority: features emerge, dissolve, and reassert themselves, suggesting identity as a shifting negotiation rather than a fixed likeness. Rooted in the European portrait tradition yet unmistakably contemporary, the work engages current cultural conversations around visibility, memory, and the politics of representation. A compelling example of contemporary portrait painting, it offers collectors a resonant, museum-minded statement.
Jordi Diaz Alamà was born in Granollers in 1986, he graduated from the Fine Arts from the University of Barcelona. He also trained at the classical art schools, such as the Florence Academy of Art (Florence) where he learned the techniques used by the great masters of 19th-century painting. Jordi ...
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