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In *Diaz Alama: Portraits of Souls I–XVI*, Jordi Díaz Alama distils the portrait into an arena of psychological intensity and contemporary cultural reflection. Working with a boldly tactile paint surface—layering, scraping, and reasserting the figure—he fuses Old Master discipline with the visceral energy of modern expressionism. Each head becomes a study in presence rather than likeness: fractured planes, charged colour, and emphatic brushwork evoke memory, identity, and the shifting masks of selfhood. Across the sixteen works, the series reads as a chorus of inner states, where gesture functions as language. Díaz Alama’s painterly technique positions portraiture as a relevant, urgent form—bridging European art history with today’s questions of belonging and visibility.
Jordi Diaz Alamà was born in Granollers in 1986, he graduated from the Fine Arts from the University of Barcelona. He also trained at the classical art schools, such as the Florence Academy of Art (Florence) where he learned the techniques used by the great masters of 19th-century painting. Jordi ...
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