I remember being backstage in 2013 as saint Iggy Pop was carried into his dressing room because he was in so much agony after a performance, that had transported the staid South Bank audience to a place they needed to go. Again, I had five minutes to photograph him. He was so humble and sweet-hearted; he asked me if I wanted him to put more clothes on. "No...take more off!" I answered.

KATE GARNER PHOTOGRAPHY

Kate Garner was expelled from high school at the age of 16 and became a runaway who joined The Children Of God. To escape the grasp of the cult she hitchhiked from London through Eastern Europe to India in 1970, where she lived for a year as a traveller before being located by her parents. She attended art school at Blackpool in the North of England and later moved to London, where she began to both photograph and model for up and coming magazines such as The Face and i-D.

 

KATE GARNER AND HAYSI FANTAYZEE

Kate Garner first came widely into the public eye as one-third of the 1980s avant-garde, new wave pop project Haysi Fantayzee, along with other members Jeremy Healy and Paul Caplin. Emanating from street art scenes such as the Blitz Kids that were cropping up in London in the early 1980s, Haysi’s music combined reggae, country and electro with political and sociological lyrics couched as nursery rhymes.

 

TOP OF THE POPS

Catapulted to stardom by their visual sensibilities, Haysi Fantayzee combined their extreme clothes sense – described as combining white Rasta, tribal chieftain and Dickensian styles – with a quirky musical sound comparable to other new wave musical pop acts of the era, such as Bow Wow Wow, Adam and the Ants and Bananarama. They appeared several times on the BBC Television programme Top of the Pops. Despite being touted by Bowie producer Tony Visconti as the next big thing, the group quickly disbanded after releasing three hit singles “John Wayne Is Big Leggy”, “Shiny Shiny” and “Holy Joe”, and an album, Battle Hymns for Children Singing, that went gold.

 

BACK INTO THE ARTS

Garner then returned to painting, photography and video, launching a successful media arts career, starting with her collaboration with Sinéad O’Connor, in which she created memorable images of O’Connor for her 1987 debut, The Lion and the Cobra. Garner spotted Kate Moss amongst the hundreds of model cards at the Storm model agency to use in a shoot, Moss, who was only 14 years old at the time, was given permission to leave school early and was chaperoned from Croydon to studios in Old Street, East London.

The felt crown used on the shoot had been given directly by leading British milliner Stephen Jones to the stylist Claire Hall who used it as an accessory for the photo shoot,  i-D magazine commissioned the photographs after the shoot for use in their May 1989 issue based on the reputation of the Garner. She went on to photograph Kate Moss at the Praed St Hotel for the now iconic “Hear no Speak no See no Evil” photoshoot remembering the day Garner says

“Kate still hadn’t broken through the battle line of the supermodels of that time. I wanted to show the glamour that we could see underneath the waif portrayal.” Originally commissioned for Esquire, the magazine dumped the images and dismissed Moss’s prospects as a future model. About six months later, Moss’s career began to build, and the magazine reapproached Garner about doing another shoot with her in London. (Garner says that her images were eventually published alongside “a scathing piece about how these waif girls had the audacity to challenge the beauty icons who were already established.”)

She had her first multimedia exhibition in February 2007 at the Painter’s Gallery on Charing Cross Road, London and, a year later, had an exhibition in San Francisco, California titled ‘Identity Artists’. Her work was in a group show at the Riflemaker Gallery in January 2009. Her work has appeared at in many publications and iconic advertising campaigns.

“She was sponsored by the Arts Council for her show at The Future Gallery which was a fabulous success”

She designed a wallpaper collection, which is archived at the Victoria and Albert Museum in London and was in a touring exhibition with the Whitworth Gallery from 2010-2012

Schon Magazine review link for Garners Warrior Women exhibition with Zebra One Gallery in 2013

You can read Kates Wikipedia Page by clicking the link.